0005.6.22 Analyzed by Candidate Master Daniel Waite

 

1. Nf3     Nf6    2. c4     g6    3. Nc3     d5  4. cd5     Nd5    5. g3  

[While this is an English Opening, it has many characteristics of the Grunfeld Defense. This moves avoids d4 inviting the Grunfeld.]

 

5…Bg7   6. Qb3     Nc3

 

[…Nb6 is more natural in these English positions.  One thing the exchange does is weaken Black's grip of the center.]

 

7. bc3     c5     8. Bg2    0-0   9. Ba3  

[An old Russian idea.  This works in the Grunfeld but not here.]

 

 9…Qa5 10. 0-0    Nc6   11. Bb2    Rb8  [Black is suffering from an optical illusion.   The illusion is that the b pawn is free if you move the Queen Bishop.  Here is  the “truth” 11..Be6 12. Qxb7?? Rfc1 13.Ng5 Rab8 and the White Queen leaves the board.  Keep alert to tactical possibilities.] 

 

12. d4     Be6  13. Qd1    Rfd8

 

[Passing on the creation of the isolated d-pawn (…cxd4) is good here.  It shows mature thought, even if it was not intentional.  We all learn to automatically filter some things by instinct.  This is a time saver but must be deliberately challenged.  In this filtering process we develop bias such as “labels.”  (e.g. ethnic and religious affiliations)  These tend to put blinders on us.  In chess, the basic teacher develops

a set of rules and presents them in lessons.  This system of indoctrinating the student is good because they must be understood since violating them means terrible consequences.  Having come to understand the basic filters and biases we then learn to develop “exceptions” and deeper understandings.  It is the difference between following the Law and living by the Spirit.  One such 'law' in chess is that the isolated pawn is a “bad” thing.  Typically, if you know how to  handle the position, the isolated pawn can be difficult from either perspective. 

The fact that you either intentionally passed on this idea or unintentionally filtered the idea shows good potential.  If it was an unintentional filter then you must focus energy on questioning these filters.] 

 

 14. e3     Bd5   15. Qe2    b5  16. Rfd1   Bc4   17. Qc2    Qb6   18. Ng5    cd4  19. cd4    Nb4   20. Qe4    a5 

 

[Lack of judgment.  There is a time to become materialistic.  Material is one of the most permanent and decisive imbalances.  Taking the pawn with …Nxa2 should have given you the game.  At least this move does not lose.] 

 

 21. h4     h6  22. Nf3    Nd5 

 

[This is your “losing move.”  There is a fine line between a “great” player  and a “good” player.  Several distinguishing characteristics are important to note at this point.  For instance the “great” player has in reserve a larger  number of recognized positions (and the tricks that go with them).  A “great” player also has the sense of when the position is critical.  This is such a moment.  Normally, I'd rail on this move but you had the courage to send in the game and learn something useful.  Getting back to the idea of material, I like taking at a2.  An interesting idea is …Bd3.  Once again, protecting the pawn is an illusion.  Notice 23…Bxa2 23.Qxe7 Rb7 24.Qe4 f5 and once again

the Queen gets to watch from the side of the board.  This Knight, in this position, loses effective influence on the center.] 

 

23. Ne5    Nf6   24. Qf4    Rbc8 25. g4     Qe6   26. Rd2    Nd7 

[Lesson number four: play with a plan!] 

 

27. d5     Qf6

 

[White chokes and gives Black the game (again) but this follow up mistake to 22…Nd5 returns the favor.  White gains a Rook, a Knight, a Bishop, and spare change for the Queen with 22…Qxe5.  Remember the “law” we talked about earlier?  One of the lesson/laws we preach is “protect the Queen at all costs.”  The trouble is that it is more important to protect the King!  If you count material, you will find that Black gains material on the exchange.]

 

28. Nc6    Qf4   29. Ne7    Kh7   30. ef4    Bb2  31. Rb2    Rc5   32. Nc6    Re8   33. Rd2    Nf6

 

[Try 33…Re2.  If you are going to fight at least don't make it easy for your opponent.]

 

34. d6    [White's pawn = space + possibilities!]  Be6   35. g5     Nd7  

36. Na5    Rec8  37. Nb3    1x0

 

Coach's advice: For courage in allowing me to examine a lost game A+! 

This shows a desire to actually correct faulty thinking processes.  (If only I could have your thoughts as  you were thinking them…..)  So some ideas……

 

Challenge your filters.  You seem to be unwilling to grab the pawn when it was available but unwilling to give up the pawn for a greater good (winning the Queen).  Start paying attention to these filters and force yourself to look beyond these “laws” you have learned.  The truth is on the board, not on a set of learned rules.

 

You show good positional judgment but do not seem to have good attacking

skills.  The problem with good positional judgment is that if you focus here, it is not enough to win!  Somewhere you must attack, even if it is “pawn picking.”  I'd suggest that you develop a “catalogue of positions.”  To do this get some cards or a notebook where you will record positions for games you play or see.  Somewhere keep a “key” on the correct moves by category.  Keep it as simple as possible.  Maybe topics would include “sacrifice”, “pawns”, “king safety.”  Don't buy a book!  You must do the work yourself, if a position strikes you

enough for you to take the time to record it then you are more likely to learn it for yourself.

 

I see that you are a “club” player.  Clubs are fun and often good chess but…..  The tendency is to play “cat and mouse” games with the other players minds.  I'd suggest that you settle into three systems (two with Black and one with White) and play them regardless of who you play and what your opponent played last time.  Here is the trick.  You opponents will prepare for you, since you will be predictable, and will find the most difficult lines for you.  That is good, they will test you and force you to grow and develop good lines.  It will also force you to be precise in your opening moves.  The idea is that you will have three openings that you know as well as anyone in the world and can play in any circumstance.